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Thesaurus of Scales and Melodic Patterns download free [PDF and Ebook] by Nicolas Slonimsky
Jul 23, · Includes a PDF summary of 29 pages Description or summary of the book: Since its publication in , great musicians and composers of all genres - from Arnold Schoenberg to John Coltrane - have sworn by this legendary volume and its comprehensive vocabulary of melodic patterns for composition and improvisation/10(). Read Online Repository Of Scales And Melodic Patterns and Download Repository Of Scales And Melodic Patterns book full in PDF formats. “Mr. Yusef Lateef's Flute Book of the Blues and The Repository of Scales and Melodic Patterns have had a profound affect upon my growth as a flutist and composer. His new book, Duets for Treble Clef Instruments, is a remarkable gift to the musical world from one of the greatest artists of the Twentieth-Century, a visionary with vast.
Repository of scales and melodic patterns pdf free download
To browse Academia. Skip to main content. Log In Sign Up. Download Free PDF. Total Guitar - The ultimate scale book. Guilherme Mauricio. As well as a complete run-down of all the most useful and useable scale shapes in several positions, we've included soloing tips, a little music theory, plus some chord sheets and tab exercises to try the scales with.
Don't use these scales in isolation though - the book is primarily intended for reference. The only time a scale becomes worth listening to is when you make a great solo out of it A number one in a circle refers to the first index The fret finger. A position for a number two scale is given represents the by a number second finger. A number three in a circle refers to the third ring finger. A Notes in black number four circles indicate represents the root notes little finger.
They work on W hen a scale does not include open strings, it can be moved a simple grid system - the strings run up or down the neck. The vertically and the frets horizontally. To find a Scales are not necessarily played at scale, move its root note the nut end of the guitar, so to save shown in black on the space there is a number to the left of fretbox to the position on each fret box which represents the the neck that corresponds lowest fret played in each example.
Major and minor scales are also used for the purposes of sight-reading, so you can learn which notes are 'correct' in a given key. To get you started, below are six open string versions of the guitarist's favourite shape, the pentatonic. It's actually no more difficult than the minor pentatonic, and is beneficial from a practice point of view because it gets all ofyour fingers working.
The most common blues key is E, and from this key the most common scale shape is the open version top, left. It appears in other keys, the way to playing blues and rock solos.
Although the scale can be used in many contexts, it's often effective The two chord sheets shown below should fit with the E minor over seventh also called dominant seventh chords. The bar and E major pentatonic scales respectively above, left.
It may be Western music. A thorough knowledge of them will enable useful in each case to memorise them in blocks, for you to learn and understand chords, arpeggios and more instance one octave at a time. Start from the lowest root advanced scales as they arise, note; when you know the pattern up to the next root note, learn the The first six examples given here use open strings.
It is next octave. Most of these scales extend at least two octaves. If you find it difficult to remember the whole shape The major scale is more difficult to use in improvisation than at once, learn the first octave thoroughly before carrying on up the pentatonic or blues shapes because solos are more dependent on scale.
Use the same fingers on the way down as on the way up. There are three worth working on because they are moveable to any position on the ways round the problem - first, and most difficult, is to gain enough neck. In the case of the G major scale above, leftits root note is knowledge and experience of harmony that you can anticipate on the sixth string, whereas the C and D majors have roots on the which notes will work and which won't.
Secondly, one popular trick fifth string. Cross-reference these scales against the diagrams on when you hear a dodgy note is to move slowly and deliberately to page 5, find the key you need repository of scales and melodic patterns pdf free download say B major - B can be found the next note of the scale.
Nine times out often the new note will on the sixth string, 7th fret. Now move the black root note to the sound OK. By applying some of the minor version shown on the left hand pageComparing melodic pattern ideas from the back pages of this book, it's a simple these Fretbox patterns with those on page 9, the shapes are often matter to create rock riffs using these shapes.
This version shown identical. However, the sound, or tonality, of the major pentatonic is here with a root note of A works well over any Am chord, but can drastically different due to the different choice of root note. It has a also be used all the way through a bar blues sequence. Although much sweeter, happier sound than its minor relative; people often the chord sequence shown below uses seventh chords, which say it sounds more 'Country'.
But don't be fooled - rock players technically speaking feature a major third interval, you should find have abused this scale almost as much as the minor pentatonic. Just that the minor thirds from this scale still sound perfectly convincing listen to Guns n' Roses' Knockin on Heavens Door - the solo Is in this context. These five pentatonic scale, move all the notes down 3 frets, and you'll be positions all feature shared notes, so it should be possible to devise playing the major pentatonic equivalent.
Try some cliched A minor ways to move smoothly between shapes, and this in turn will pentatonic rock licks, but tiiree frets lower, repository of scales and melodic patterns pdf free download, over the major key increase your repertoire of licks.
Natural minor Harmonic minor HERE are many types of minor scale, but for the purposes HE harmonic minor scale differs from the natural minor by of this book we're concentrating on the types most only one note. The seventh note from the root up is a commonly used in contemporary music. Because the down from the root. Just by changing this note, the scale takes on sequence of notes starts from A instead of C.
In practical terms, the harmonic minor sounds more 'classical', even slightly Eastern, compared to the natural minor. It also When you're playing in a minor key, the natural minor scale is often appears in the clean electric lead guitar lines from The Cure's a fairly safe choice for soloing purposes, and can lead to a more Killing an Arab.
The chord sequence given here could be played in a variety of styles, from HARMONIC MINOR SOLOS straight-ahead rock to Bossa Nova, but since the chords in this The practice chord sequence shown below should be recorded at a example come from the C major 'family' A minor being the 6th fairly slow pace so you can really hear how the scale sounds against chord in that familythis scale will work whatever the chosen the chords. You may find yourself avoiding the G note whilst groove, As with all the examples, you can transpose these examples playing over Dm - it kind of grates a bit - but the scale sounds into new keys using the diagrams on page 5.
Blues Major blues or 'Country' s with the open blues shapes shown on page 6, this version NCE again, this is based upon the Pentatonic scale in this of the blues scale is not too tricky to learn, due to the fact cast; major pentatonic with the addition of one note.
This is called the sharpened 4th or flattened fifth and its sound of the scale, but it's a sound you will have heard thousands of presence between the 4th and 5th notes of the home key creates a times in rock, repository of scales and melodic patterns pdf free download, blues, jazz and country solos. Depending on the combination of note major blues scale in the same key is to shift your hand position choice against the current chord, it's possible to make this scale down the neck by 3 frets.
Play the same shape as the minor blues sound surprisingly non-bluesy. The reason this trick works is that examples, the sequence shown here is a minor blues bar - you the major blues scale is a mode of the normal, minor blues scale.
The chords The chord sequence given below should work well as a fast two- have a distinctly jazzy sound, which can be enhanced by replacing beat piece of country music. For accompaniment, repository of scales and melodic patterns pdf free download fingerpicking the minor sevenths with minor ninths, repository of scales and melodic patterns pdf free download.
You may also like to try this the chords, alternating the thumb and fingers in a claw pattern, or chord sequence with the natural or melodic minor scales.
Every scale repository of scales and melodic patterns pdf free download has several modes which are scales in themselves, but using- notes from the 'host' scale, In the TG scale book, we're looking at modes derived from the major scale, and each example starts on A to make the differences more apparent.
The major scale see page 7 is also known as the Ionian mode. Dorian mode Y starting a major scale from its 2nd note instead of the HE Phrygian mode is made up of notes from a major scale, root note, the resulting mode is the Dorian, repository of scales and melodic patterns pdf free download.
Since these but starting on the host scale's third note. The result is a examples start on A, our Dorian shapes are based upon scale with a particularly 'Moorish' or Spanish flavour to it. But don't fall into the Once again, we'll take A as the starring note; because it is the third common trap of thinking of Dorian as the 'second mode'. All modes note in the F major scale, it follows that F major notes which will are scales in their own right - they just take their intervals from a make up our Phrygian mode.
The chord sequence given here is parent scale. Assuming major scale. Since all of our examples start on the note A that you're already familiar with the A major scale, you will we need to find the major scale whose fifth note is A, ie see that the Lydian mode differs by only one note, ie the fourth the A Mixolydian mode is made up of repository of scales and melodic patterns pdf free download taken from the parent note is sharpened.
To the ear, however, this alteration has a drastic D major scale. The resulting sound is simply that of a major scale effect on the character of the scale; the effect is slightly 'other with a flattened 7th. The eombination of major third and flattened seventh creates a The Lydian mode has been used by composers of film and TV mood which is dark and sonorous without the melancholy edge of scores for years, and is frequently used by players such as Satriani the minor Aeolian mode — good examples are the riffs from Alanis and Vai to invoke a mystical flavour in solos, Morisette's All I Really Want, repository of scales and melodic patterns pdf free download, or The Beatles' I Feel Fine, or The Stones' The Last Time.
It also works if the current chord is a llths etc and appears in solos from every style of music. The chord major7b5 or major7 ll. A Mixolydian also works the A Lydian mode. The G m7 and B chords also contain the well in 12 bar blues sequences in A! Aeolian mode Locrian mode HE Aeolian mode comes from the sixth degree of a major HE Locrian mode comes from the seventh degree of a scale; A is the sixth note of the C major scale, so this is the major scale; A is the seventh note of the Bb major scale, parent scale for A Aeolian.
But it is Once you've played through the Aeolian shapes above, you'll find essential to think of the Locrian mode as a weird-sounding scale in yourself getting that old deja vu feeling That's because the Aeolian mode is exactly but this won't help you when you're improvising. In fact the The Locrian has repository of scales and melodic patterns pdf free download be one of the strangest modes, although it only difference is one of viewpoint — if you were thinking modally, does have its applications.
Its most common use is over m7 b5 you would see these notes as part of the parent C major scale, but chords, which come up often enough especially in jazz to make starting on A. Thinking scalically, you would look at the root note, this mode worth learning. The chord sheet beiow is Locrian Athen decide which notes from A major had been changed to throughout, but this is very unusual in any sequence.
Melodic 'Jazz' minor 'Diminished' scale His scale is often referred to as the 'Jazz' minor, although it HE diminished scale is a curious beast indeed! On the one was around long before Jazz had a name! If you have ever hand, its combination of intervals tone, semitone, tone, studied classical guitar you will know this as the ascending semitone, etc can lead to some bizarre fingerings on part of the melodic minor scale.
Originally the descending form of guitar, to the point that many people are put off trying to learn it this scale was different — the 6th and 7th notes were flattened — but thoroughly in the first place. On the other hand, it's worth this is an anomaly that has all but disappeared in more remembering that there are only three diminished scales in contemporary styles of music. This is because, like diminished chords, they repeat themselves in minor 3rd intervals 3 frets at a time up the neck.
Ambigous though the scale is, it has far reaching musical used occasionally - or throughout - over the chord sequence shown. Record the chords slowly with a swing feel. Note - A melodic minor honest! Well nobody said rest, and for a really wild sound F diminished over the E chords - Jazz was easy, did they?
Robben Ford uses repository of scales and melodic patterns pdf free download to great, effect. The exercises on the following pages break the scales up into short fragments or 'partial' scales.
These will help to teach your fingers where the notes are, and hopefully provide new ideas for use in solos. Although each of the exercises is only applied to the G major or E minor pentatonic scales, they can just as easily be used with any of the others in this book.
Sax Lesson 91: Synthetic Scale Melody (Yusef Lateef)
, time: 2:31Repository of scales and melodic patterns pdf free download
Read Online Repository Of Scales And Melodic Patterns and Download Repository Of Scales And Melodic Patterns book full in PDF formats. Author: Terry Jenoure File Size: MB Format: PDF, Docs Download: Read: Bair, Jeff, Cyclic Patterns in John Coltrane’s Melodic Vocabulary as Influenced by Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns: An Analysis of Selected Improvisations. Doctor of Musical Arts (Performance), August
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